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教育
- Conservatorio “G. Cantelli” Novara — Diploma accademico di I livello in violino (2018)
- Conservatorio “G. Verdi” Milano — Diploma accademico di II livello in violino (2020, 109/110)
- Università Cattolica del Sacro Cuore di Milano — Laurea in scienze e tecniche psicologiche (29 settembre 2017)
曾任乐团
- Orchestra Giovanile Italiana di Fiesole — Violinista
- Orchestra dell’Accademia del Teatro alla Scala — Violinista
- As.Li.Co. — Violinista
- Orchestra Milano Classica — Violinista
- Orchestra Antonio Vivaldi — Violinista / Production manager
- Baltic Sea Philarmonic — Violinista
老师
- Enkeleida Sheshaj, Francesca Monego, Fulvio Luciani, Laura Marzadori, Maria Caterina Carlini, Daniele Gay, Yulia Berinskaya
合作
- Orchestra Giovanile Italiana di Fiesole (2020, 2021), Orchestra dell’Accademia del Teatro alla Scala presso il Teatro alla Scala, As.Li.Co. presso il Teatro Sociale di Como, Orchestra Milano Classica, Orchestra Antonio Vivaldi (stabilmente dal 2021), Baltic Sea Philarmonic, United Soloists Orchestra, “I Giochi di Orobea – un’opera per le Olimpiadi” (project manager)
个人简介
Federica Barreca is a violinist at United Soloists Orchestra, combining classical training with her role in production management.
She began studying privately with Maestra Enkeleida Sheshaj. She earned a Diploma accademico di I livello in violino from the Conservatorio “G. Cantelli” Novara in 2018 with Maestra Francesca Monego, followed by a Diploma accademico di II livello in violino at the Conservatorio “G. Verdi” Milano in 2020 (109/110) with Maestro Fulvio Luciani. She also graduated in sciences and psychological techniques from the Università Cattolica del Sacro Cuore di Milano (29 September 2017).
Barreca has collaborated with the Orchestra Giovanile Italiana di Fiesole (2020–2021), performed with the Orchestra dell’Accademia del Teatro alla Scala at Teatro alla Scala, and worked with As.Li.Co. at Teatro Sociale di Como, alongside engagements with Orchestra Milano Classica and the Baltic Sea Philarmonic. Since 2021 she is consistently part of Orchestra Antonio Vivaldi, serving as responsible for production from 2025.
At USO, her twin perspective as a performer and production manager supports crossover projects that connect repertoire, storytelling, and stage-scale execution.